Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Study for Diego Martelli oil painting


Study for Diego Martelli
mk194 1879
Painting ID::  49206 		Edgar Degas
Study for Diego Martelli
mk194 1879
   
   
     
Edgar Degas Six Friends oil painting


Six Friends
mk194 1886 Pastel and Chalk 114.9x71cm
Painting ID::  49208 		Edgar Degas
Six Friends
mk194 1886 Pastel and Chalk 114.9x71cm
   
   
     
Edgar Degas At the Races in the Countryside oil painting


At the Races in the Countryside
mk194 1869 Oil on canvas 36.5x55.9cm
Painting ID::  49209 		Edgar Degas
At the Races in the Countryside
mk194 1869 Oil on canvas 36.5x55.9cm
   
   
     
Edgar Degas Untitled oil painting


Untitled
mk194 1895
Painting ID::  49210 		Edgar Degas
Untitled
mk194 1895
   
   
     
Edgar Degas Study for Young Spartans Exercising oil painting


Study for Young Spartans Exercising
mk194 c.1860
Painting ID::  49211 		Edgar Degas
Study for Young Spartans Exercising
mk194 c.1860
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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